St. Mary's Cathedral, Tokyo

Much of Japan’s modern architecture is functional and sterile but last week while riding around my local neighbourhood of Sekiguchi in Bunkyō (文京区), Tokyo I came across a piece of contemporary architecture that can only be described as fantastical. It compelled me to stop and take a closer look…

St. Mary's Cathedral, Tokyo

Shimmering in the afternoon sunlight against a solid blue sky the shape of the building is hard to describe. Technically speaking it consists of eight hyperbolic parables (curved walls) that rise almost vertically from a diamond-shaped concrete base to form a Latin cross at peak of the roof.

Reflected Glory

St. Mary’s Catholic Cathedral (東京カテドラル聖マリア大聖堂) is about as far from ordinary as you can imagine in the context of the usual Gothic piles we’re familiar with.

Hyperbolic Parabolas

While the extreme angles and aluminium skin make it appear to have just landed in this sleepy corner of Tokyo it was actually built in 1964 by Kenzō Tange (丹下 健三), one of the most significant architects of the 20th century, who combined traditional Japanese styles with modernism and the metabolist movement (メタボリズム).

Cross of Light

Light is able to enter the cathedral at the intersection of the four main facades through windows which run the full 40m height of the building and continue across the roof forming an illuminated cross (reminiscent of Tadao Ando’s Church of Light in Osaka).

Cathedral Entrance

A simple wooden door marks the main entrance.

Cathedral Skin

Take a look at Google Maps to see what the building looks like from above.

St. Mary's Cast Concrete Interior

In stark contrast to its gleaming shell, the interior is something altogether different. Unpolished cast concrete walls rise to their zenith with a lightness unbecoming of their enormous weight.

St. Mary's Altar

In accordance with the Japanese concept of Wabi-sabi (侘寂) the aesthetic could be described as one of beauty that is “imperfect, impermanent, and incomplete” in its conspicuous roughness, simplicity, and austerity.

St. Mary's Walls

Concreate Organ

The vast converging walls create an almost monastic feel to the space with the ever-changing light casting amazing shadows through the narrow windows, softening what might otherwise feel like an oppressive tomb.

Cathedral Altar

St. Mary's Window

It’s not hard to feel spiritual in a place as unique as this.

Cathedral Silhouette

Outside a bell tower stands detached from the main building. Four vertical sides stretch into the sky, converging at a sharp point 60m high. It’s hyperbolic sides mirror the main building and houses four bells from Germany.

Sharp Bell Tower

Angular Bell Tower

Fittingly when Kenzō Tange died in 2005 his funeral was held here, in what must surely be counted as one of his masterpieces and a timeless iconic example of modern Japanese design.

Comments

    • David says:

      Nice spot, there do seem to be some similarities – I would suspect that both architects were inspired by the modernist and metabolist movements of the day which became popular after WWII (as far as I understand). Given they must have been under construction at the same time I doubt there was any direct link.

  1. nancy says:

    Great post! Love how you noticed the building without any prior conception of it being famous, did you know he built a similar one outside Japan too.

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